If you’re wondering where the music of Nashville troubadour Woody Pines comes from, look to the streets. It was on the streets as a professional busker that Woody first cut his teeth, drawing liberally from the lost back alley anthems and scratchy old 78s of American roots music, whether country blues, jugband, hokum, or hillbilly. Heavy rollicking street performances are the key to some of today’s best roots bands, like Old Crow Medicine Show (Woody and OCMS’ Gill Landry used to tour the country in their own jugband), and they’re the key to Woody’s intensely catchy rhythms, jumpy lyrics, and wildly delirious sense of fun. Woody traveled all over the streets of this country, road testing his songs, drawing from the catchiest elements of the music he loved and adding in hopped-up vintage electrification to get that old country dancehall sound down right.
That’s why the songs on his new self-titled release Woody Pines (released May 28 on underground label Muddy Roots Recordings) are so hot. This is gonzo folk music, the kind of raise-the-rafters, boot-shakin’ jump blues that used to be banging out of juke joints all over the South in the late 1940s, but now it’s burning into the earholes of a younger generation of Nashville kids, all looking for music with deep roots and something to hang on to.