The success of the duo was a result of their dedication to practice, great understanding, and a disciplined approach to their performance. Their singing style displayed shades of the Patiala gharana, particularly that of stalwarts Ustad Ashiq All Khan and Ustad Bade Ghulam Ali Khan. However, both brothers contributed with their own individuality and made use of their initial training in dhrupad, which was most apparent in the alaap and vilambit (slow tempo) part of their presentation. The brothers were equally adept at performing in both the vilambit and drut (fast tempo) sections. The vilambit part of the presentation was clearly defined by their concentration on the development of the raag; Nazakat All Khan would create the general ambience of the performance and concentrate on building the aesthetic framework. He would act as a path leader to his younger brother who would dominate the drut half of the performance through thundering taans, cascading sargams and ingenious rhythmic interplay known as layakari. The greatest strength of the duo was probably their appeal to both the masses and connoisseurs. The brothers performed a wide variety of raags throughout their career but were known for their mastery over raags Rageshri, Abhogi Kanada, Gorakh Kalyan and Malkauns.
The path of success continued for both brothers during the 1960s. In 1961, the Government of Pakistan recognizing their contribution to classical music conferred the civilian award of - Pride of Performance upon them and in 1967 King Zahir Shah of Afghanistan awarded them with the Tamgha-e-Hunar. international acclaim for the duo followed in 1969 when they were formally invited to tour the United Kingdom and Holland. Following their performance at the Edinburgh Festival, the brothers became renowned in the West as the Ali brothers and began to regularly feature in International music festivals.


Artists: Ustad Nazakat Ali Khan (Vocal), Ustad Salamat Ali KhanVocal

Tracks:
1. Gunkeli - Ustad Nazakat Ali Khan (Vocal), Ustad Salamat Ali Khan (Vocal)