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Rolling Stone 500 Greatest Albums of All Time - Rated 334/500!

Ranked in the top 50 picks of the Absolute Sound's Buyer's Guide 2009! TAS Audiophile Demo Disc! Rated a 'Best Audiophile Label Recording' in the November 2009 issue of TAS! TAS Rated 4/5 Music, 4/5 Sonics in the March 2008 Issue of The Absolute Sound!

Santana's Abraxas is now on Numbered Limited Edition 180g Vinyl from Mobile Fidelity Sound Labs!

This MFSL remaster corrects Historic Production Error! Music is NOW presented in Correct Channels for the First Time Ever! Widely Hailed as Santana’s Masterpiece!

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Picking up on the momentum of the band’s excellent 1969 self-titled debut and drifting into edgier, more versatile territory, Abraxas is the confident sound of Santana stretching out and carving its own Latin rock subgenre. The 1970 set immediately captured the public’s ear, spending six weeks as the nation’s #1 album and spawning the cosmic “Black Magic Woman” as a Top 5 single that’s since become one of the most widely recognized songs in history. A confluence of celebratory vibes, bluesy jams, mellow vocals, and hip-shaking grooves, Abraxas is a cornerstone of any music collection and nothing short of legendary.

Mysticism and spirituality abound. Wild, free, and loose, Santana conjures the feeling of mountains and rivers on the lead-off instrumental “Singing Winds, Crying Beasts,” leads a salsa parade on the definitive version of Tito Puente’s “Oye Como Va,” and explores its sensual side on the stellar showcase “Samba Pa Ti,” a tune indicative of the album’s Latin vibes and percussion. Sonically, Abraxas takes advantage of studio techniques such as cross-fading and mixing lacking on its predecessor.

“Dissatisfied with the sound of their debut, the group brought in as a co-producer veteran jazz engineer Fred Catero, whose skills proved invaluable in balancing the new range of musical flavors Santana [was] bringing into its sound: the result was a giant step on from [the band’s] debut.” –The Mojo Collection book on the Greatest Albums of All Time

But just like 1969’s equally essential Santana, also available on an exquisite-sounding pressing from Mobile Fidelity, Abraxas lays claim to one of the biggest (and unfortunate) production gaffes in music history. Until now, Abraxas has never been heard correctly. After securing the original analog master tapes, Mobile Fidelity engineers realized a colossal mistake had been made. For nearly four decades, copies were produced with the left and right channels reversed, meaning that everything was placed in a backwards manner. This even extended to compilations on which individual songs from Abraxas were included.

Now, for the first time, you can listen to Abraxas the way it was meant to be experienced, with the instruments and musicians placed in the proper channels. THE SOUND WILL KNOCK YOU OUT. In addition to correcting the imaging, Mobile Fidelity’s collectable version captures the stunning tonal range of Santana’s guitar as well as the nuances of his distinctive touch. Every imaginable detail is brought to the forefront and properly scaled, be it Gregg Rolie’s purring organ, Jose Areas’ timbal and conga beats, or the fluid pulse of Dave Brown’s bass. YOU’VE NEVER HEARD SANTANA SOUND MORE SPACIOUS, AIRY, TEXTURED, OR DYNAMIC.

"Mobile Fidelity has done an excellent job with its remastered vinyl editions. Abraxas is a very fine-sounding record, with terrific air, rich textures, a fine mix, and spacious soundscape. MoFi's version is palpably warmer, airier, and more dynamic than (the) old Columbia pressing, which sounds a bit wiry." - Wayne Garcia, The Absolute Sound, March 2008, Issue 180

"Black Magic Woman," the Top Five hit from Abraxas, is definitive Santana: Afro-Latin grooves and piercing lyrical psychedelic blues guitar. It was a cover of a Fleetwood Mac song written by one of Carlos Santana's guitar heroes, Peter Green. The album's other hit was also a cover: Tito Puente's "Oye Como Va." - www.rollingstone.com